DEUTSCHE KLASSIK   DIE UNIVERSALE STIMME DER AKADEMISCHEN WISSENSCHAFT IN DER KLASSISCHEN MUSIK
ARCHIVE – MEDICINE

Home

Introduction to the University of the Future

Peter Hübner’s Cosmic Educational Program

Peter Hübner
Developer of the University of the Future

Peter Hübner
Open letter to the President of the Justus-Liebig-State-University Giessen, Germany

ARCHIVE

MEDICINE

THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

SCIENTIFIC RESEARCH
REPORTS

The American Institute
of Stress

World Health
Organization (WHO)

Republic of Belarus

Stress + Heart Disease

The Unborn Child

Special Care Baby Unit

Harmonic Therapy

The Benefits of
Harmonic Information

Social Medical Significance

Headaches & Migraine

Harmonic Information
as a Modern Medication

Intensive Care Unit

MRT Music / Function

Chernobyl

SCIENTIFIC RESEARCH

Medical Research –
Clinical Observations

MEDICAL RESONANCE THERAPY MUSIC

Medical Music Preparations on CD

STORE





Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music



Micro Music Laboratories®
Research in the Microcosm of Music






PYTHAGORAS

Physician, musicologist, mathematician,
founder of our scientific age –
he created the pre-conditions
for utilising
harmonically structured music
in medicine.






This is an ancient dream of mankind which we can discover in all known advanced cultures. And also in our European cultural area, the great Greek scholar Pythagoras already pointed out the fact approx. 500 years before Christ that a single tone has a varied and diverse inner life, an inner natural structural de­vel­op­ment.

And he claimed that the laws of harmony, which determine the natural evolution of this tone, were identical with those of bio­logi­cal life and the evolution of the cos­mos.1

In his famous school for the training of learned physicians, Pythagoras himself used and taught two methods for the re­ali­sa­tion and analysis of the microcosm of music, firstly:

the way of in­tui­tion: the in­ner men­tal, spon­ta­ne­ous un­der­stand­ing of the mi­cro­cosm of mu­sic and the fine tone de­vel­op­ments it pos­sesses: the im­me­di­ate in­ner crea­tive ex­peri­ence of lis­ten­ing to the natu­ral laws of har­mony of the mi­cro­cosm of mu­sic in op­era­tion2

and also:

the way of empirical realisation:
through outer scientific technical sound analysis
    
                                                          From the pioneering times of the Micro Music Laboratories®





1


For this also please see the publication of Prof. Dr. med. Gunther Hildebrandt:
“The Centre of the Rhythmical System – Chronobiological Aspects of Music Physiology”

2


For this also please see the study catalogue by Peter Hübner:
“Studies of Music – Studies of the Inner Human Powers”



The Microcosm of Music – Baritone Solo, Bass Solo, Mixed Choir  Nr. 4
Mediaplayer
 
© 1998-  WORLD UNION OF THE FORUMS OF ACADEMIC EXCELLENCE

Design by
GLOBAL WEB DESIGN
one of the global services of United Productions International
“We integrate thoughts and ideas”