DEUTSCHE KLASSIK   DIE UNIVERSALE STIMME DER AKADEMISCHEN WISSENSCHAFT IN DER KLASSISCHEN MUSIK
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Introduction to the University of the Future

Peter Hübner’s Cosmic Educational Program

Peter Hübner
Developer of the University of the Future

Peter Hübner
Open letter to the President of the Justus-Liebig-State-University Giessen, Germany

ARCHIVE

MEDICINE

THEORETICAL FUNDAMENTALS

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

SCIENTIFIC RESEARCH
REPORTS

The American Institute
of Stress

World Health
Organization (WHO)

Republic of Belarus

Stress + Heart Disease

The Unborn Child

Special Care Baby Unit

Harmonic Therapy

The Benefits of
Harmonic Information

Social Medical Significance

Headaches & Migraine

Harmonic Information
as a Modern Medication

Intensive Care Unit

MRT Music / Function

Chernobyl

SCIENTIFIC RESEARCH

Medical Research –
Clinical Observations

MEDICAL RESONANCE THERAPY MUSIC

Medical Music Preparations on CD

STORE





Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music



Medical Resonance Therapy Music®


“An objective medical application of music should be based on the natural resonance capability between the natural laws of harmony of the microcosm of music and the natural laws of harmony of biological life.

The task is to activate the natural laws of harmony of biological life via the brain using the natural laws of harmony of the microcosm of music, and in the course
of this to make these more readily available to the brain activity and beyond this to the entire human organism.”

Peter Hübner
Nowa­days we find spe­cial con­di­tions. Mod­ern sci­en­tific tech­nol­ogy en­ables us to ana­lyse, to pro­duce, and to re­pro­duce mu­si­cal proc­esses very much more pre­cisely than was pos­si­ble in the past.

There­fore in the Mi­cro Mu­sic La­bo­ra­to­ries® we work on a con­cept of sys­tem­atic in­ves­ti­ga­tion and fo­cused ap­pli­ca­tion of the mi­cro­cosm of mu­sic and the acute en­er­gies it pos­sesses within and – based on the knowl­edge thus gained – on a new meth­od­ol­ogy of clas­si­cal com­po­si­tion.

To­gether with tech­ni­cians and en­gi­neers, we are re­search­ing new crea­tive tech­nolo­gies for sound crea­tion, new re­cording and re­pro­duc­tion tech­niques as well as new com­puter-con­trolled analy­sis and syn­the­sis proc­esses with which we hope to be able to put the ap­pli­ca­tion of mu­sic in the medi­cal field on a sci­en­tifi­cally sound foot­ing.



In the Micro Music Laboratories, the composer works together with engineers and technicians on a concept of systematic investigation and focused application of the microcosm of music.
















The Microcosm of Music – CD Baritone Solo, Bass Solo, Men’s Choir Nr. 2
Mediaplayer
 
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